Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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WITTEL, Caspar Andriaans van
The St Peter s in Rome

ID: 07277

WITTEL, Caspar Andriaans van The St Peter s in Rome
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WITTEL, Caspar Andriaans van The St Peter s in Rome


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WITTEL, Caspar Andriaans van

Dutch Baroque Era Painter, ca.1653-1736  Related Paintings of WITTEL, Caspar Andriaans van :. | The Castel Sant'Angelo from the South | Villa Aldobrandini at Frascati | The Piazzetta from the Bacino di San Marco | Rome, the Tiber near the Porto di Ripa Grande | The St Peter s in Rome |
Related Artists:
Jan van de Capelle
seascape master Dutch Baroque Era Painter, C.1624-1679
Jan Provost
1465-1529 Flemish Jan Provost Gallery Jan Provoost, or Jan Provost (1462/5, Mons?CJanuary 1529, Bruges) was a Flemish painter. He was one of the most famous Netherlandish painters of his generation, a prolific master who left his early workshop in Valenciennes to run two workshops, one in Bruges, where he was made a burgher in 1494, the other simultaneously in Antwerp, which was the economic center of the Low Countries. Provoost was also a cartographer engineer and architect. He met Albrecht D??rer in Antwerp in 1520, and a D??rer portrait drawing at the National Gallery, London, is conjectured to be of Provoost. He married the widow of the miniaturist and painter Simon Marmion, after whose death he inherited the considerable Marmion estate. The styles of Gerard David and Hans Memling can be detected in Provoost's religious paintings. The Last Judgement painted for the Bruges town hall in 1525 is the only painting for which documentary evidence identifies Provoost. Surprising discoveries can still be made: in 1971 an unknown and anonymous panoramic Crucifixion from the village church at Koolkerke was identified as Provoost's. It is on permanent loan to the Groeninge Museum, Bruges.
Willem Drost
Dutch Baroque Era Painter, ca.1630-1680 Dutch painter, draughtsman and printmaker, possibly of German origin. According to Houbraken, he was a pupil of Rembrandt, possibly in or shortly before 1650. An early etching signed w drost 1652 is probably a self-portrait, in which Drost portrayed himself as a young man drawing. His earliest dated paintings are two pendants of 1653: the Portrait of a Man (New York, Met.) and the Portrait of a Woman .






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